Captured live: Maquina Supervium live @ Shea Stadium

I was invited by the gentlemen of Quiet Loudly to come check out their set over at Shea Stadium this Friday. I got there a little late. I believe I may have missed the first band. Sorry Libel, don’t worry I’ll catch up to you in the near future I promise. The first band I saw was Maquina Supervium. From the beginning I got gut punched by Nikkie fucking killing it on the drums. Me and Max(Lead singer of Quiet Loudly) didn’t even say anything to eachother. It was one of those moments where you make eye contact and just nod your head in approval like, “hell yea they’re fucking shit up!” The entire night was packed with beautiful music. So pretty. A night filled with roses and shit to the ears. I really enjoyed them. Check this clip out I shot. Rad stuff. Enjoy!


Captured live: Quiet Loudly @ Shea Stadium

I went over to Shea Stadium for the first time on Friday. I really enjoyed it. I’d love to own something along the lines of Shea. It’s like a big loft with a huge stage and a bunch of rooms. Reminds me of the Live at the Loft show. My buddies from Quiet Loudly invited me over for an intimate set. I’m use to seeing them on some huge stage with a bunch of people and I can barely move to capture anything. This place was big enough that a decent amount of people could relax in comfort and I could have some fun shooting. This clip is long overdue. Glad I finally got a really cool one of you dudes. Enjoy!


A-Trak & Zinc – Like The Dancefloor (feat. Natalie Storm)

On The Might Of Princes played Saint Vitus

In what might have been the single most awesome show of the year, the eruptive forces unleashed last night by On the Might of Princes at Saint Vitus equaled a category 5 hurricane. Watch the beginning and end of their set below, plus footage from surprise guest Garrison.

Lana Del Rey As Streetwalker In New Video

Lana Del Rey has been a video vixen since day one.  Most of us saw “Video Games” before we heard it, and that video’s DIY/found footage aesthetic didn’t take long to go viral. Since then, Lana’s video releases have been events, with “official audio” versions and promo pictures leaked days or weeks in advance. The videos have gotten longer and their characters more complex; this past summer we saw Lana as Jackie O., a suicidal lesbian, and a David Lynchian chanteuse singing “Blue Velvet” in an extended ad for H&M.

Excluding “Blue Velvet,” “Ride” is the first single off of the extended cut of her album and its video went on YouTube yesterday. LDR plays a singer/streetwalker living carefree on Kerouac’s open road. She swings like a pendulum on a tire swing in desert, as if suspended from the sky. She rides on the backs of motorcycles, shoots off fireworks while wearing a Native American headdress, and gets physical with older men on pinball machines and outside motels. Her hair is curly, but she’s still our Lana, fringed denim jacket and all. She’s in character, but a theater marquee lists her as Lana Del Rey, perpetuating and perhaps mocking criticism that she’s fake and always in character.

The “Ride” video is over ten minutes long and the actual song doesn’t start until three minutes and thirty seconds in. Lana provides voice over narration, which she wrote, at the beginning and end. “I was in the winter of my life, and the men I met along the road were my only summer,” she begins. Later: “I was born to be the other woman. Who belonged to no one. Who belonged to everyone.” The sentiment is powerful at times, trite at others. Anthony Mandler directed, as he did Lana’s “National Anthem.”

Unlike Lana’s previous songs, the Rick Rubin-produced “Ride” is less “ghetto Nancy Sinatra” (Lana’s words, not mine) and more  “Sam’s Town”-era The Killers (who director Mandler has also worked with). Lana’s look is more Americana and less flash.

Lana still has tricks up her sleeve, and for now at least, we’re still along for the ride.

Watch the video below.

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Goodbye ‘Boardwalk Empire’ Set, Hello Trashy, Miami-Style Condo Complex?

Via Greenpointers

A tipster sent along word that the Boardwalk Empire set at Franklin & Commercial Streets is currently being dismantled and that they will be out by the end of the month. The tipster also says Bay Crane is moving out of their large parcel at Eagle & West Streets. Both lots are held by Park Tower Group, a New York based developer, who has long held the development rights to this huge 22 acre swath of land at the tip of Greenpoint. Their proposed development, dubbed Greenpoint Landing, will ultimately result in 10 residential towers between 30 and 40 stories high totaling 4,000 units of housing – 20% of which will be affordable. Handel Architects designed the project and, according to their website, the development will feature a new marina, seasonal putting green, ice rink and even possibly a footbridge to Long Island City.

New Kanye West Jam from ‘The Man With the Iron Fists’ Soundtrack: “White Dress”


On November 2, RZA will make his directorial debut with the pop-cultural smorgasbord The Man With the Iron Fists. Written by RZA with Eli Roth and directed by Quentin Tarantino, the film stars Russell Crowe, Lucy Liu and RZA himself.

The film’s soundtrack– which is out on October 23 on Soul Temple/STAX/Red Distribution– is packed, too. We’ve heard Method Man’s track with Freddie Gibbs and Streetlife; Pusha T, Raekwon, and Joell Ortiz’s track; Ghostface’s track with M.O.P. and Pharoahe Monch; the Wu-Tang Clan’s track, the Revelations’ track with Tre Williams, and RZA’s track with the Black Keys.

(Note: this film is directed by RZA not, as Pitchfork says, Quentin Tarantino.) And here’s the trailer: [Read more…]