This weekend musician Andrew Kalleen was arrested by the NYPD for while performing at the Lorimer/Metropolitan subway stop. In the below video the NYPD officer is clearly heard reading the law that allows for this type of performance but that appears to [Read more...]
West Coast electro-pop quintet Milo Greene (the band, not the fictional agent) is back on the road, and this time they’re promoting their sophomore album, Control, out this January on Atlantic Records. They’ll be supporting Bombay Bicycle Club at Terminal 5, this Wednesday October 22nd as part of the official CMJ lineup. I chatted with band member Graham Fink about tour life, their exciting new sound and why there’s nothing better on the road than hardcore super fans.
MV: I know that you guys just started your tour and that you’re playing a lot of tracks from the new album. Are you feeling really awesome?
GF: Yeah, it’s been really great so far. The first show or two were a little nervewracking just because we’ve never played any of these songs before, and we’re playing seven songs from the new album in our set list, so there’s a lot of new material to push through. But I think we’ve kind of found our stride and it feels really good. The crowds seem to be receptive. If our merch numbers are any indicator, I would say that people really like it. We’ve had to reorder merch two or three times already and it’s the first week of tour. It’s fun to get out there and play new stuff. It’s a nice combination of making new fans from the people who are coming out to see Bombay Bicycle Club, and then our existing fans coming out to see the change and the progress.
Well my morning is ruined. Glasslands Gallery is officially closing at the end of the year. From [Read more...]
One of Brooklyn’s most notorious developers, Robert M. Scarano, has filed paperwork to open a hotel on 214 Franklin Street in Greenpoint. His latest projects in Greenpoint include the Box House Hotel and the Henry Norman Hotel (which incidentally is open now and has a penthouse room that costs $600 per night with a lovely view of the sanitation plant just blocks away). [Read more...]
Alright, time to level with you guys: With a week full of CMJ insanity in front of me and a month’s worth of half-listened to records sitting in my inbox, the feeling today’s bare-bones metal line-up has kindled deep in the pit of my being is one of relief, not disappointment. String my cred up by the lamp posts, hurl your disdain down from on high. Do your worst. Ill just be here catching my breath…
La Hell Gang recently signed to Brooklyn’s Mexican Summer label and played their first ever US show on Wednesday night at Glasslands.
Having followed Chilean pyschedelic rock extensively over the last couple of years, it is always a rare but essential opportunity when a band rolls in to town. Given that La Hell Gang’s new album, Thru Me Again, is only their second in close to 5 years, it was definitely not a show to miss.
It was a big week for Brooklyn based electronic DJ and producer, Eliot Lipp. Lipp’s in the middle of a national tour and just celebrated the release of his newest LP out on Pretty Lights Music, Watch the Shadows, which is a deliciously diverse collection that fuses hip-hop sounds, synth beats and vocals for tracks that keep you guessing, “what’s next?”
Even though I caught Eliot while he was getting over a cold, it didn’t stop the ambitious artist from sharing his excitement about recent collaborations, his most anticipated tour stops and tips for staying healthy on the road.
Megan Venzin: Where do you feel like you get most of your influences for producing music?
Eliot Lipp: Probably from listening to my friends music and listening to stuff with other producers that I hang out with. I’m influenced a lot by them, also from playing live and recently kind of starting to make me want to make more club and dance music.
MV: And this your something like your 7th or 8th release!
EL: Something like that, I can’t really remember but it’s getting up there. (Laughs)
MV: How do you feel like your sound has evolved over time, and how have you grown as a performer?
EL: There’s a lot more layers. I’m trying to make it so musically there’s more depth to it, but I don’t know I’m also trying to get better at the engineering side of it. I took a mixing and mastering class at Dubspot in New York and that helped me quite a bit, just learning the technical aspects of being a producer.