And in a flash of glitter and glow-in-the-dark face paint, the party of the summer is over. Vibes were all good Saturday night into Sunday morning when BangOn threw their annual Short Shorts shindig. The secret location, which turned out to be in a multi-level Supper Club near Bedford-Nostrand, was packed when we arrived around 2 AM. As per usual, the crowd was flashy including everyone from babes sporting neon unitards to bros in the glow. You know what I’m sayin’.
Despite the cramped situation, my friend and I were still able to score silent disco headphones in a matter of minutes. Quiet Clubbing (who I’ve been tipped off may or may not be appearing in an upcoming episode of Shark Tank) has this system down to an art. You give them your ID or a credit card. They give you a set of headphones and a numbered return ticket, and well if you break them, you buy them. Simple enough! The DJ’s were solid. The Blue channel offered a more top 40 set list, while green focused on deep house. You always knew which channel was crushing it by the cheers that broke out over the dancing crowd.
It’s annoying that Drag City isn’t on Spotify. Thankfully NPR is streaming Ty Segall’s latest, which is getting great reviews. We love it too:
Manipulator also recalls the way some of the best ’90s bands captured that era while making their own timeless records for the canon. Segall’s upper register makes his voice a dead ringer for that of Suede’s Brett Anderson, and Manipulator showcases the mysterious swagger of that group’s classic debut. The distortion monster “It’s Over” channels Blur at its catchiest, while “The Feels” captures the same arena-ready, world-takeover notions that powered Oasis through its early successes. [Read more...]
Hello and welcome to This One Goes To Eleven loyal pawns, hooded torch-bearers, fallen apostles, and mildly curious passerby. It needn’t take a hot-air balloon diatribe on the recent explosion of extreme music into the indie-verse for you to quickly glean why we are here. The reason is simple and the purpose is clear: We are gathered today, and each Tuesday for the foreseeable future, to pay pilgrimage to the coming week in metal, and–with the world headed to hell in a hurry–assemble a soundtrack for the ensuing roadtrip. Eyes front and Dio horns up. Now someone, count me in.
Many of us have been startled to see someone out of the corner of our eye sitting in a lot on Bedford and North 1st only to realize it is a big stuffed gorilla. It turns out that gorilla is named Coco and the lot may be sold for upwards of $8 million soon. The owner of the lot passed away a few years ago and while his family decide when to sell, the lot is kept as an urban jungle by his friend Carmen Bonilla. NY Times spoke to the spunky Carmen who is in her eighties:
“I put this here for the kids, because the kids, they enjoy,” Ms. Bonilla said, stepping sure-footedly through the weeds in a flounce yellow skirt, a billowy white blouse, an elegant ivory hat and bright pink lipstick. “That’s the way you’ve got to live — because I’m no better than nobody. Love each other, help each other.”
Read the full story at NY Times.
Black Wine have just released their latest album, Yell Boss, on Don Giovanni Records and are playing a record release show at Death By Audio this Friday (22nd of August). The record hits a bit harder than 2012′s Hollow Earth though as usual the trio split songwriting and singing duties between them. The album artwork is by Screaming Females‘ Marissa Paternoster and you can listen to lead single, Rime, below the jump.
Dropping bass, spinning house, laying trap – international artists from all genres of EDM will be making the trek to NYC over labor day weekend for the 6th Annual Electric Zoo Festival. Staff writer Megan Venzin will be highlighting her favorite artists each week leading up to the Zoo, taking place August 29-31st on Randall’s Island.
Who are they?: GRiZ (aka Grant Kwiecinski) is a 24-year-old Detroit-based DJ, producer and Saxophone player. He’s a former member of LEAK, and is half of GRiZmatik, a side project with popular New York producer Gramatik, and one-fourth of Big GRiZmatik, a collaboration that also includes the two members of Colorado’s Big Gigantic.
What do they sound like?: GRiZ blends dubstep, glitch and live saxophone to create a unique genre he refers to as “electro-soul”.
The main reason for the record store’s closing has nothing to do with being analog in a digital world, unfortunately it has to do with Real Estate. Like many businesses in Greenpoint, Permanent Records has fallen victim to an over-inflated, hyper-speculative, bullish market where astronomical rents and lost leases are
becomingthe norm. Cool folks like Permanent Records, who found love in Greenpoint, are now priced out of the neighborhood that once welcomed them with open arms.
“Permanent Records will close the Franklin St. location not because we’re not doing well, but simply because we’ve lost our lease. None of you reading this will be shocked to hear that after months of looking for an affordable suitable store front, we’re now priced out of the neighborhood we helped to shape. It’s an all too common story in the NYC retail / small business landscape.”